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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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The Architecture of Music (Vladimir Ashkenazy)

Observation point

Magazine article by Ralph Heimans AM, 2018

As I prepared for my recent retrospective at Frederiksborg Castle, Denmark’s National Portrait Gallery, I was struck with the feeling of looking back at a visual diary of the past 30 years.

The Coronation Theatre, Westminster Abbey: A Portrait of Her Majesty Queen Elizabeth II, 2012

Imagination

Magazine article by Dr Sarah Engledow, 2013

Dr Sarah Engledow tells the story of The Queen’s Diamond Jubilee portrait by Australian artist Ralph Heimans.

Crown Princess Mary of Denmark, 2006

The painter and the princess

Magazine article by Michael Desmond, 2006

Michael Desmond interviews Ralph Heimans about his portrait of Crown Princess Mary of Denmark.

HRH Crown Princess Mary of Denmark, 2006 Ralph Heimans AM

Dane reign

Magazine article by Mette Skougaard and Thomas Lyngby, 2018

Mette Skougaard and Thomas Lyngby bring eloquent context to Ralph Heimans’ portraits of Crown Princess Mary and Crown Prince Frederik of Denmark.

Greek Orthodox Priest, 2015 by Sarah Ball

Hope for kindness

Magazine article by Dr Sarah Engledow, 2018

Sarah Engledow arrives at the junction of fate and hope in Sarah Ball’s poignant Immigrants series.

Portrait 60

Ralph Heimans on his portraits, and features on Louis Kahan, Helena Rubinstein, Judy Cassab and Tasmanian convicts.

Rock Island Bend. Franklin River, South West Tasmania, 1979 by Peter Dombrovskis

Written in Water

Magazine article by Dr Sarah Engledow, 2005

Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.

Bride, 2015 by Abdul Abdullah

Observation point

Magazine article by Abdul Abdullah, 2015

I wanted to be a journalist. I was very idealistic and I had a big chip on my shoulder. I wanted to investigate the human condition, drawing attention to those in need with the hope of someday effecting positive change.

Aldo Giurgola

A Life in Service

Magazine article by Mandy Martin, 2005

Artist Mandy Martin describes the creation of her portrait of Aldo Giurgola, principal architect of Australia's Parliament House.

Portrait 55

Summer 2016-2017

Explore convict art, photography by Ruth Hollick and Collier Schorr, an interview with neurosurgeon Charlie Teo, portraiture on money, and more!

Mick Molloy

A serious man

Magazine article by Alistair McGhie, 2010

Alistair McGhie discusses Andrew MacColl's portrait photograph of Australian comedian Mick Molloy.

Axe Me Biggie

Axe Me Biggie

Magazine article by Stephen Dupont, 2008

Australian photojournalist Stephen Dupont's Afghanistan project captures the human experience of a country in reconstruction.

Charles Teo

Charlie's angles

Magazine article by Stephen Phillips, 2017

Stephen Phillips talks to neurosurgeon Charlie Teo about his practice, perspectives and the anatomy of hope.

Portrait of Philip Williams

Observation point

Magazine article by Rick Amor, 2021

While visiting the National Portrait Gallery I noticed the absence of paintings of journalists.

Herb Wharton, Cunnamulla, Qld

Thousand mile stare

Magazine article by Simon Elliott, 2004

John Elliott talks about his photographic portrait practice, including his iconic image of Slim Dusty arm-in-arm with Dame Edna Everage.

Rex at Maroubra, 2011

Observation point

Magazine article by Nicholas Harding, 2013

Nicholas Harding describes his enduring fascination with drawing and painting people.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency